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Drawing

Stage design for Diaghilev's ballet, Romeo and Juliet, 1925

Christopher Wood
Gouache on paper
140 x 235 mm
[CW 11]
Not on display

About the artist

Born 1901 – Died 1930

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Sergei Diaghilev’s Ballets Russes were a popularly controversial company which revolutionised ballet through the nurturing of young composers and choreographers, classically trained dancers and avant-garde painters as stage and costume designers. Pablo Picasso, Jean Cocteau and Fernand Léger were some of the artists against whose designs Wood hoped to be measured.

Diaghilev invited Wood to submit proposals when he began to plan a production of a ballet with English collaborators for the company’s visit to London in 1925. Wood had been recommended to him by Picasso and Cocteau. The impresario’s suggested theme was not the Shakespearian tale but the rehearsal of a ballet of the play, with music by British composer Constant Lambert. Wood’s designs try to convey the ‘behind the scene’ feel of the staging. Eventually his proposals were rejected in favour of designs by Joan Miró and Max Ernst.

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Drawing

Stage design for Diaghilev's ballet, Romeo and Juliet, 1925

Christopher Wood

Stage design for Diaghilev's ballet, Romeo and Juliet Find out more

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Stage design for Diaghilev's ballet, Romeo and Juliet (Scene Two), 1925

Christopher Wood

Stage design for Diaghilev's ballet, Romeo and Juliet (Scene Two) Find out more

Drawing

Stage design for Diaghilev’s ballet, Romeo and Juliet (Scene Two), 1925

Christopher Wood

Stage design for Diaghilev’s ballet, Romeo and Juliet (Scene Two) Find out more